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When seeing a performance you want to be inspired, entertained, or even flabbergasted! You want high production value and an experience worth the time…

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Performance

Prior to COVID, CGDT was working on multiple projects including a collaborative project with pianist, Joshua White. CGDT was also working with Colburn School…

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Education

It is our conviction that dance education leads to a life where knowledge, discipline and creativity become the keys to an empowered and successful…

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Advocacy

Advocacy is an important aspect of our mission. Chard Gonzalez Dance Theatre promotes the highest professional standards for practicing artists and programs relating to contemporary…

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Performances

Eye Candy

10th Ave Theatre, San Diego
Pieter Space, Los Angeles
(2018)

Love Over Fear

Highways
Santa Monica (2017)

Leprechaun Dreams

Mingei Museum
San Diego (2016)

Danza Fantasma

The White Box
San Diego (2015)

New Bee

10th Avenue Theatre
San Diego (2014)

Tomorrowland

Marigny Opera House
New Orleans (2014)

Down the Rabbit Hole

Marigny Opera House
New Orleans (2012)

The Divine Feminine

Fury Factory
San Francisco (2011)

Recent Posts

ProudBoys
 October 4, 2020 | Comments 0

#proudboychallenge#proudboys

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Cunningham on Fridays
 September 3, 2020 | Comments 0

Join us every Friday at 10:30am-12pm (PST) for virtual Cunningham class on zoom. $15 or pay what you can. Sign up at pieterpasd.com #pieterperformancespace

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Cunningham & Juggling
 July 23, 2020 | Comments 0

Here’s some inspiration for tomorrow’s Cunningham class with the Pieter community. Who’s ready for some mind body juggling? Friday’s at 10:30am-12noon (Pacific) Email pieterpasd@gmail.com for zoom details #mercecunnigham #pieterperformancespace…

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Katherine Dunham
 June 22, 2020 | Comments 0

Happy birthday, #KatherineDunham!! “Katherine Dunham revolutionized American dance … by going to the roots of black dance and rituals transforming them into significant artistic choreography that speaks to all.”…

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Reviews

  • “After going down a rabbit hole, you would expect some of Lewis Carroll’s famous nonsense. In this case, it was a phantasmagoric avant-garde ballet based on the 1865 children’s classic.”

    – Dalt Wonk, Gambit, New Orleans

  • “Chard’s cast of amazing performers takes the audience on a ride through conflict and mayhem due to the seduction of a goddess, the wrath of a bitter queen, the marvel of a heroine plus other divine women and their boy-toys.”

    – Rick DelaHaya, Centenary News, Shreveport

Connections